“This short film is also about destinies, but the discursive stakes launched by the Hungarian director have something of the depth of Jim Jarmusch’s dialogues, as well as the absurd humour of Beckett’s plays. Not by chance, the protagonist of the short film is immobilised in his own car, much like Winnie from “Happy Days”, the embedded Beckettian character who is also on her way to the final revelation of her own existence.”